Here is the latest version of our Color Correction Reel.  Utilizing Apple Color as well as Sapphire Plug-Ins in Final Cut to get some nice looks happening.  The first few shots are corrected RED Digital Cinema files.  Showing the before as a RED Raw file as it comes from the RED ONE camera.  Since the files were brought into FCP as native files, once sent to Apple Color we are able to take advantage of the RED RAW information to really push the image.  This RED workflow gives much more latitude in post than any other.  It becomes a bit addicting and is tough to go back after working with RED footage.  The rest of the footage comes from various sources from HDCAM & P2 to DV.