Projects 
In November RAP again teamed up with Girl-O-Rama Telepictures for another project. This time out we took care of audio mix for the “The Increasingly Necessary Todd Margaret Recap Special” airing on IFC in January. With season two starting at the top of 2012 on IFC what better way…
Our most recent project is the feature film “Teresa is a Mother” produced by May Sky Entertainment. We will be handling the editorial and color correction on the project. The feature was shot on the RED One digital cinema camera in 4.5K and the footage looks great.
This spring we were able to get out of the studio and shoot a little profile on musician Jack Ryon. This time we were shooting with the amazing Canon 7D DSLR camera. This camera is just fantastic for getting a nice cinematic look. We shot 1080p @ 24fps. The…
Here is the latest version of our Color Correction Reel. Utilizing Apple Color as well as Sapphire Plug-Ins to get some nice looks happening. The first few shots are corrected RED Digital Cinema files. Showing the before as a RED Raw file as it comes from the RED ONE…
Here is a copy of the case study Imagineer Systems did with us. Just an amazing product with huge potential for new creative workflows in FCP. Here is the link to the Imagineer page. From there you can navigate to view great tutorials to get you up to…
We just completed editorial on this Indie Feature Film trailer for director Brian Strine. His latest feature film project is titled “Beneath the River”. A compelling story of a young couple who find that money does not bring happiness. This edit was intended to give more of an…
Producer extraordinaire Debbie Harris from Girl-O-Rama worked with Remote Access Post to put together this behind the scenes look at the 6 hour Monty Python documentary airing on IFC in October. Working with Python skits I have loved since childhood was so such a treat. …
We just completed a graphics job for Robert Stone Productions. Award winning veteran documentary producer/director Robert Stone (Oswald’s Ghost, Guerrilla: the taking of Patty Hearst, etc) tapped Remote Access Post for his latest production…
We just completed another spot with up and coming commercial director Bill Miles. This spot was originally shot on 16mm then transferred to video. Once in FCP 6 we made selects and began cutting pretty quickly. The music track really informed how the images came together. The music was…
We just completed our first job using footage shot with a RED One digital cinema camera. An image spot for Pfizer directed by Bill Miles. Once we got our workflow ironed out, the cut was done in Final Cut 6 and color correction done in Apple Color using…
