Here is the latest version of our Color Correction Reel. Utilizing Apple Color as well as Sapphire Plug-Ins to get some nice looks happening. The first few shots are corrected RED Digital Cinema files. Showing the before RED Raw file as it comes from the RED camera. Since the files were brought into FCP as native files, once sent to Apple Color we are able to take advantage of the RED Raw file information to really push the image. This RED workflow gives much more latitude in post than any other. It becomes a bit addicting and is tough to back after working with RED footage. The Monty Python footage was corrected from HDCAM masters. Other footage originated as HD files on P2 as well as some DV footage.