This past fall we color corrected the feature documentary “Roadmap to Apartheid” for Ubuntu FIlms. Roadmap to Apartheid explores in detail the apartheid comparison as it is used in the enduring Israel-Palestine conflict. As much an historical document of the rise and fall of apartheid, the film shows…
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Color Correction “Roadmap to Apartheid”
RAP Mixes Todd Margaret Special for IFC
In November RAP again teamed up with Girl-O-Rama Telepictures for another project. This time out we took care of audio mix for the “The Increasingly Necessary Todd Margaret Recap Special” airing on IFC in January. With season two starting at the top of 2012 on IFC what better way…
Post Production for feature shot on RED
Our most recent project is the feature film “Teresa is a Mother” produced by May Sky Entertainment. We will be handling the editorial and color correction on the project. The feature was shot on the RED One digital cinema camera in 4.5K and the footage looks great.
Shooting with the Canon 7D DSLR
This spring we were able to get out of the studio and shoot a little profile on musician Jack Ryon. This time we were shooting with the amazing Canon 7D DSLR camera. This camera is just fantastic for getting a nice cinematic look. We shot 1080p @ 24fps. The…
Feature Trailer for “Beneath the River”
We just completed editorial on this Indie Feature Film trailer for director Brian Strine. His latest feature film project is titled “Beneath the River”. A compelling story of a young couple who find that money does not bring happiness. This edit was intended to give more of an…
Graphics for Robert Stone Productions
We just completed a graphics job for Robert Stone Productions. Award winning veteran documentary producer/director Robert Stone (Oswald’s Ghost, Guerrilla: the taking of Patty Hearst, etc) tapped Remote Access Post for his latest production for PBS’s American Experience. Due to air in October, the doc covers the history of…
Virginia Beach Spot Posted
We just completed another spot with up and coming commercial director Bill Miles. This spot was originally shot on 16mm then transferred to video. Once in FCP 6 we made selects and began cutting pretty quickly. The music track really informed how the images came together. The music was…




